top of page
151
149
137
148
135
124
126
128
143
141
150
134
145
146
144
142
138
136
132
130
129
127
123
122
125

Nothing and Nowhere, Yet About "That" Observing the presence of the absent—tracing the imprints that leave no names behind. This is the imperceptible, dark threshold of what lies beyond active reality, in the shadows where remnants of human existence linger, slowly reclaimed by the forces of nature. These observations come to life in a different reality—where they no longer serve their original purpose but become part of an eternal silence that fills the space. They hover on the boundary between the world that is and the world we have left behind, echoing what once was. The observers’ gaze tells a story of emptiness brimming with memory—of things that are no longer what they once were, yet have not fully faded into nothingness. Observers are nothing. They are fragments dissolving, shedding form and meaning, blending into a silence without shadows. They watch, yet they no longer feel present. This "nowhere" is a stage of uncertainty, a blurring of the lines between what existed and what is dissolving into oblivion. And "about that"—it is an attempt to capture the sensation of transience, a moment still unfolding but no longer belonging to the present. "About that" is the echo of absence, fragments of lost time suspended in the threshold of the in-between. Yet nature, with its relentless flow, reclaims its domain—not erasing, but absorbing. It creates remnants that merge with the landscape, lingering on the edge of existence and decay, between light and shadow. It is a quiet reminder of the unseen process where life, like all matter, becomes part of a vast cycle of destruction and renewal—leaving behind echoes of what was, traces that endure in silent witness to nature’s inevitable reclamation.

© Copyright Iren Moroz
bottom of page