Phenomenology of Space is an attempt to connect science, art, and subjective experience to show the multilayered reality we live in. Through the interaction of history, architecture, and modern concepts of quantum physics, we discover a new way of perceiving cities and space. While walking through the streets of the city, I had the idea of considering space and time not as static parameters, but as interconnected wave structures. Within this study, my perspective of the city changed through the lens of quantum phenomena: superposition, the observer's effect, and the wave nature of matter. Can we say that the space of Warsaw changes when we perceive it? Does our consciousness influence reality in the same way as in the quantum world, where observation determines the state of a particle? These questions become key to understanding the invisible structures that shape the city and the observer's perception. Space is not just a physical dimension (length, width, height); it has an existential depth. For example, a house is not just a building; it is a place where a person feels safe or comfortable. In interaction with the city, every detail has its meaning and energy, and through this interaction, a person reveals themselves and learns the invisible layers of reality. Gaston Bachelard in his book The Poetics of Space claimed that any place gains meaning only through how a person personally experiences it. Memories, smells, sounds, or sensations repeatedly recreate the mosaic of space. In Warsaw, the phenomenology of space explains why some areas resonate with calmness, others cause anxiety, and some even remain unnoticed. Warsaw is both a city of history and modernity, of reality and imagination, of calmness and chaos. This multidimensional existence of the city allowed me to experience it as a living quantum system, where every choice, every step creates a new reality. The observer becomes part of this process, shaping the city through their consciousness and experience. Warsaw, with its phantoms hidden in the layer of collective memory, vibrates like tectonic plates. These vibrations reflect in the perception of a person: some districts induce comfort, others provoke anxiety or indifference. Particular attention is drawn to the dynamics of urban transport, which acts as a living map of the city's sensations. Communication networks (heating, internet, sewage, electrical wiring) that slide through space embody the movement of time, transformation, and constant renewal. By visualizing their routes as graphic patterns, one can see how the space "breathes" through human flows. The most visible network is the public transport map. Quantum physics introduces the idea that every object or event is part of a single field that retains information. This field can be understood through sensations that resonate with the place. Thus, a person who frequently uses public transport forms, on the level of sensation and internal visualization, a map of the city and, on the reflex level, understands where they are, even in the dark hours of the day. The concept of the phenomenology of space is based on the idea that places exist in the perception of a person. Space gains meaning through experience, emotions, memory, and the visible or invisible trace of history. The French philosopher Maurice Merleau-Ponty emphasized that the body is not only an object in space but also a tool for perceiving it. We experience space through movement, touch, sight, smells, and sounds. Research on "empty zones" showed that the city has its places that can be marked as quantum black holes—areas that remain unnoticed by the inhabitants, while districts with an "excessive informational background" attract crowds, become saturated with events of various kinds, and have a rich historical-mythical concept. Graphics, mixed technique. 11x14.5cm, 17.5x25cm. Series of 100 pieces. The research continues.