ECO EKO is a metaphor for the complex and fragile connection between humans and nature. The project raises the question: does humanity have the right to interfere with the natural order, trying to heal what it has wounded? Is our desire to "fertilize" nature an act of redemption or yet another form of domination? Working on this project made me rethink the human footprint. A landfill, a burned forest, a snowy landscape, a graffiti-covered wall—each scene became a symbol of nature’s wounds and, at the same time, a reflection of our inner conflicts: greed, indifference, destruction. In these spaces, questions emerged: how can we heal what we have destroyed? Are we capable of helping nature without imposing our will? What does it mean to create for life, rather than for consumption? Nature’s wounds are not just an ecological tragedy but also a mirror of the human soul. The landfill symbolizes the emptiness we try to fill with material things. The burned forest reveals both the consequences of our aggression and the potential for renewal. Snow reminds us of the fragility of balance, while graffiti speaks of our desire to leave a mark—one that can be either chaotic or harmonious. **ECO EKO** calls for a new way of thinking. Creativity is not just about restoring the material world but about harmonizing the inner and outer. Humanity is not nature’s master but its ally. Only by transforming ourselves can we begin to heal the world. Are we ready to fertilize nature not for ourselves, but for life itself?